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D - dekonu (values/institutions)
A - adanu/ anyansa (technology/wisdom)
N - nunya (knowledge)
DAN (pronounced Dãin) /ƐDAN/ƆDAN comes from the word building in the Akan language. Historically, heritage, such as stools, have been kept in buildings, described in Ayan or drum language as Ɛdan a ɛwɔ Ɛdan mu, or a building within a building. Encapsulated within our building are the Ewe language terms dekonu/ dekonuwo (meaning values and institutions), adanu/anyansa (meaning technology and wisdom), and nunya (knowledge).
DAN aims to create spaces for members of Ghanaian and other African and diasporic communities to draw on their values, institutions, wisdom, and knowledge through technology.
Our collective goal is to recover lost/stolen heritage, narratives and connections through research and collaboration, and repair the damage of separation.
The ANOLab’s objective is to re-situate Ghanaian heritage within its original contexts through research and collaboration with knowledge keepers, curators, architects, writers, educationalists, practitioners, home and diaspora communities.
It aims to provide: accessibility of the heritage to the communities they emerged from; information relating to the heritage; platforms for continued engagement with the heritage; unearthing historical and creating contemporary scholarship around the heritage. It also aims to connect with African and diasporic states that share similar histories, and establish partnerships with museums that hold collections and find an equitable way forward.
This website serves as a dynamic showcase of the DAN inventory process, which has continually evolved to embrace innovative methodologies of categorization and recontextualization. Each section follows a logical progression, leading to novel forms of visual pedagogical content.
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In 2020, ANO led the President’s Committee on Museums and Monuments, a Commission appointed to propose new policies for the governance and organisation of The Ghana Museums and Monuments Board, (GMMB) responsible for Ghana’s museums and cultural heritage. The remit of the Committee was to investigate radical new ways of presenting narratives, as well as engaging communities from across social divides in Ghana, so that they might see themselves properly represented in their museums. The Committee members reviewed existing museum restructures. The report of the first committee outlined new curatorial, architectural, financial, structural possibilities for museums, monuments and national parks. The members brought experience and expertise in fields from architecture, organisational restructuring, financing, repatriation, archaeology, art history and education. They were: Nana Oforiatta Ayim (Editor, Founder of ANO), DK Osseo Asare, Dr Edith Dankwa, Kwasi Adi Dako, Dr Dickson Adom, Magida Peregrino-Brimah, Dr Kodzo Gavua, Dr William Narteh Gblerkpor, Maame Mensah Bonsu, William Nauiban Gmayi, Afua Nkansah-Asamoah, and Agnes Allotey.
Find the Museums Report here: Museum Report 2021.pdf
In 2023, the ANOlab launched DAN to create an inventory of Ghanaian heritage in Western museums. Currently, a number of cultural items that originated in what is now known as Ghana are found in public institutions and private collections in the United Kingdom, France, Germany, the Netherlands, Switzerland, Portugal, Belgium, Italy and the USA. The histories of some items are greatly contested, with some items being forcefully removed from their homes through plunder, religious persecution, or scientific racism. For others, there is still uncertainty about how they ended up in museum collections.
Supported by a research grant of the Open Society Foundation to ANO.
© 2023 ANOLAB. All rights reserved
HOME | ABOUT US | HERITAGE | MUSEUMS | VISUAL HISTORIES | CONTACT US